Film Indonesia - Air Mata Surga - PREGNANT MOVIE

Film Indonesia - Air Mata Surga - PREGNANT MOVIE

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As soon as I had finished with Your Name (Kimi No Na Wa, the latest film from Makoto Shinkai), a colleague of mine who did not come to watch asked me to describe what kind of film. As a movie-blogger (though not professional), I usually proficient in this regard. But I find it difficult to explain Your Name. Perbedaharaan probably due to lack of vocabulary, but I am pretty sure this film is difficult to describe in concrete. Your Name is a special movie-special-ness to better experienced and felt than told.

This film has the attractiveness of each movie lovers of every generation, so it's no surprise that he had great success commercially. Do not worry non-fans of anime, the film still would have an impact on you. In Japan, Your Name is a movie with the highest revenue this year once ranked fourth grossing film of all time there. The record is still held by the winner of his Spirited Away Hayao Miyazaki, but Shinkai movie is already a monster box office by passing Howl's Moving Castle, broke the conception that only Ghibli films that could reach billions of yen in theaters.

Shinkai often referred to as "the new Miyazaki" and this is not wrong, not only in terms of the commercial but also the creative side. They are equally watered our eyes with an explosion animation feast for the eyes, without forgetting the emotional foundation. However, they are charming with each other's way. If we Miyazaki identikkan with the word "imagination", then Shinkai is "beauty". Your Name is the beauty of visual and narrative. It was built with pretty pictures of realistic-but-dreamy and at the same time, binds us with a stirrer melancholy emotions of the two main characters. Mitsuha and Taki are the two most obvious anime characters and manufacturer of the most successful baper this year.

After opening with a scene comet across the sky, we are told that Mitsuha (Mone Kamishiraishi) is a high school girl who lived in the village Itomori who hold tight to ancestral traditions. Taki (Ryuunosuke Kamiki) is a Tokyo teens who like to hang out in the cafe and part-time job at an Italian restaurant. One day, Taki Mitsuha awakened in the body, and vice versa. Initially they thought this was just lucid dream, but it turns out they actually change your body for the day. Events that occur many times this fishing hilarious moments (including a recurring joke about Taki who are fond of holding "new chest" him), especially when family and friends each aware of their sudden behavioral changes.

They try to communicate through notes or phone, but could not remember the name of one another the next day. This section is funny and entertaining, to arrive to the moment where they feel (probably) already fell in love. They need to meet but it is not as easy as it sounds, because Taki are very far from Mitsuha; so far that we was not sure whether they could meet in the final. Search Taki capital only a sketch of a lake painstakingly memorized. The film features many of the supporting characters, but the story remains focused on Mitsuha and Taki. These supporting characters into the add to the complexity of their characterization.

As is apparent from his works including Voices of a Distant Star and 5 cm Per Second, Shinkai is Jagonya make melodrama about love separated by distance and time. He toyed with the expectations and the expectations of the audience. We do not look directly intimacy Mitsuha and Taki, but we can feel that they are much closer than any pair. How can they stay united if it has a different and a different life?

There are cultural and mystical themes are woven together with the main plot of the powerful love story LDR of Your Name. Three important terms in the film: "Musubi", "Kuchikamisake" and "Katawaredoki" irrelevant impressed the first time we hear it, but when the character we needed a miracle, without a doubt we believe them immediately.

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(pregnant movie) Film Dikejar Dosa - film jadul indonesia

(pregnant movie) Dikejar Dosa - film jadul indonesia

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Disclosure at the end of the course will answer all the questions at the beginning, but when you reach here, the suspense is already stripped and I was tired.

I think a basic introduction about the characteristics and properties of character alone is enough for us to understand how the disclosure at the end of a popular novel adaptation of this work Paula Hawkins. I might have missed something, but the plot elements in addition to the two it did not give a significant influence in the narrative for the film The Girl on the Train.

I can imagine how Hawkins definitely upset when people compare his work with popular from Gillian Flynn novel, Gone Girl. That may be a compliment, but in comparative law, which compared to always be number two. The director of The Girl on the Train, Tate Taylor did not have to get a similar outrage because this film is much more inferior than its adaptation Girl Gone David Fincher. As a whodunit thriller, the film barely any suspense and intrigue as psychological, flat character.

"The girl on the train" is Rachel (Emily Blunt), an alcoholic who spends time each morning and evening to commute train ride. While drinking alcohol, she likes to fantasize about a perfect family life, where once she had before her husband, Tom (Justin Theroux) divorced her and married again with Anna (Rebecca Ferguson).

This obsession makes Rachel likes peep (from the train, of course) one more perfect couple, Megan (Haley Bennett) sexy and super macho husband, Scott (Luke Evans) making out on the balcony of the house. Well coincidence, the couple lived next door to Anna and Megan is the babysitter of his children Anna.

One day, she saw Megan kissing another man. Is Megan cheating? Rachel was not sure because he was half drunk. Because no other more important things to do, of course Rachel stalking Megan in the garden and ... she fainted and did not remember anything, until a detective (Allison Janey) reported that Megan had disappeared.

Rachel believes she has an important role at the time of the incident. Could it be that the culprit is a therapist (Edgar Ramirez) who become mistresses Megan? Or even himself? A screenwriter Erin Cressida Wilson uses the same narrative structure of the novel. We brought leap past few months, a few days ago and the present irregularly to make matters more complicated. The film also uses three viewpoints of 3 heroine's sad, but the common thread remains on Rachel.

I believe this kind of narrative approach aims to mock the audience's perspective. When the narrator's unreliable, we do not know what and who to trust, especially when the three of them had each other's secrets. But Taylor did not serve the plot smoothly, making this narrative disorientation becomes confusing and tedious. Instead of like pieces of a puzzle that slowly strung, seem disjointed narrative. Characters Evans and Ramirez, for example, feels suddenly disappeared in the middle of the film and suddenly appeared at a later time.

Have not read the novel, I can only assume that these materials undergo trimming to fit the 112-minute length movies, including details of the characters. Lacked any character or how they see "the grass is always greener" probably intended to draw our empathy. But in the film, Taylor compensate overdramatisasi empty characterization, conditioning so that they beg the audience's attention. We just watched their lives openly like to watch soap operas. And this is a pity, considering Blunt all out as a complex woman who suffered physically and spiritually.

Disclosure at the end of the course will answer all the questions at the beginning, but when you reach here, the suspense is already stripped and I was tired. If you see moments that is not as dismal cover what was promised, I think the essence of The Girl on the Train is not about whodunit, but rather how these women who suffer this out of their false identity defined by men. See how the two of them form a sort of coalition in the end. Oh, but we did not care anymore with them.

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pregnant movies - Tutur Tinular

pregnant movies - Tutur Tinular

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Tutur Tinular is a historical film one time we ever hope taught by social studies teacher at the elementary school, instead of lectures on Phitecanthropus Homo make weapons out of stone. The story about the history of the Great Wall of China that was not built to cope with the Mongol invasion of the barbarians, but a ferocious monster invasion. "The Great Wall with Monsters" is probably more appropriate title. Right? History becomes more interesting when added to the word "monster".

This colossal film is a product of collaboration of China with America. With the Chinese cinema market is growing so rapidly (especially this year), it is not surprising when Hollywood tried to find ways to take advantage of the moment. In this case, Legendary Pictures took the director Zhang Yimou, which means the The Great Wall as a film with a western touch premiere Yimou.

In contrast to the lessons of history, the film will provoke us to ask many questions about the development of the plot, especially for those of you who are a critical audience. Those questions should be saved, because the premise is the same as impossible, there will be a lot of things did not make sense going on here. The first example, why this monster attacks only once every 60 years?

It's time unlucky for William (Matt Damon) and Tovar (Pedro Pascal), mercenaries from Europe who go to find "black powder" into the land of the Bamboo Curtain. After being chased by bandits, they are stuck on the Great Wall and taken prisoner by guards Wall, Order of the Nameless (yes, that was his name). These troops are preparing to withstand the onslaught of brute named Tao Tei.

Tao Tei is one of the few brainless monsters best creations in the universe CGI monster movie. The design is attractive, has incredible detail and sharply defined. It was like a giant lizard green and because there are thousands, surely there will be a scene featuring them huddled together, the good is invisible artificially like most blockbuster. Instead they seem organic and merges with the foreground or when interacting with the actors. Of course I know they are made with the computer, but while watching the invisible subtle. Visual effects team actually competent.

60 years is not wasted by the Emperor of China. These forces are well prepared and probably received funding abundant see how they are all equipped with sophisticated weapons and flashy costumes. The amount was not kidding. At one moment, they look meets the wall. How do I organize an army of this? How to eat? Bath? Not important. They are divided into special hierarchy: cavalry troop is black, red and blue are ... uhm archer is a female soldier who does something obviously more dangerous than other soldiers.

After showing shrewdness using a weapon in dealing with Tao Tei, William began trusted by the generals who include Commander Lin (Jiang Tian) and the Advisory Wang (Andy Lau), who of course proficient in English. They wanted his help. But still occurred desire to smuggle all "black powder" in the warehouse the army, especially in a whisper from Ballard (Willem Dafoe minor role).

Plot is a thing that is not so considered here; he formulatif. You can guess the plot development from the early minutes. Conversations at the level of fundamental dialogue (when the monster will take a cut hand, Damon said "I'll take the hand"). But if you want to sell by The Great Wall is just awesome visual, Zhang Yimou succeeded spectacularly. This film looks and feels like a Hollywood blockbuster expensive.

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